The Wash
The sculpture bench in front of Huffman’s residence where visitors will sit. In previous years Huffman hosted, he enjoyed listening to the tour groups discuss the artwork from his studio. (Megan Ruggles/ TheWash)

How Arts in Foggy Bottom used the pandemic as a creative outlet

The Arts in Foggy Bottom creative team saw the pandemic as an opportunity for inventiveness in its sculpture exhibit, crafting a show that responded to the pandemic in display and meaning.

While the COVID-19 pandemic spelled doom for most arts events, Arts in Foggy Bottom didn’t “pull the plug” on its exhibit. Instead, the creative team wove the pandemic into the fabric of the show.

The seventh outdoor sculpture exhibit “Human Nature” was meant to debut in 2020, but pandemic restrictions meant canceling the show became a very real possibility, said Co-Director Peter Maye.

Remarkably, the pandemic emerged as an “opportunity for an organic show,” said Curator Kayleigh Bryant-Greenwell, head of Public Programs with Smithsonian American Art Museum and the Renwick Gallery, as creatives were given the chance to think of different ways to craft a “pandemic-friendly exhibition.”

The creative team “really had to pivot,” said public relations manager Elizabeth Stein. “The artists themselves weren’t comfortable participating.”

Producing a pandemic-era show created jobs

Maye, inspired by the QR codes restaurants use for menus, suggested self-guided tours via QR codes at each sculpture to hear video recordings from the respective artists, in place of the scheduled group tours led by the curator.

A passerby scans the QR code in front of “Pearl Dream” prompting a link. (Megan Ruggles/ TheWash)

Immediately, the creative team began the search for a video director as well as a storyteller to interview every artist. In a way, the pandemic fashioned an opening to hire more creatives, said Bryant-Greenwell, whose work explores the intersection of art, culture, and social change.

According to Americans for the Arts, creatives were amongst those most affected by the pandemic in the country’s workforce, as 63% of artists faced unemployment during the height of the pandemic in 2020.

Bryant-Greenwell says labor practices are significant to her as they are based in social justice practices central to her work. “Having the opportunity to hire more creatives is unique and great,” she said.

A new display technique was devised

The QR codes also led to a “more dynamic delivery” of information, Stein said. She said it exposed residents to “pieces of information they want to hear,” since the video recordings gave artists the ability to elaborate on their work and why they use certain materials.

The link brings the visitor to a page with background and a video recording of the artist. (Megan Ruggles/ TheWash)

The community was able to experience culture in a safe way when most arts events were canceled, Stein said.

Artist Jerry Truong was originally excited about guided tours, especially leading one, but said he likes how the show worked out. The QR codes let D.C. residents and visitors alike learn about the art without prior knowledge of scheduled tours.

“It is safer and more accessible,” he said.

J. Ford Huffman, a longtime resident and sculpture host, said the pandemic is on people’s minds and the solution is very creative, but he questions the show’s accessibility. “It is important to bear in mind that not everyone carries a cell phone.”

A second-time host, Huffman said he misses the groups of people passing by his home and hopes for tours in the future. “It’s always nice to hear their voices discussing the artwork.”

The “Human Nature” concept was strengthened

Originally, Bryant-Greenwell was inspired by the Trump administration stripping environmental protections as well as the Australian wildfires. “It seemed pertinent to talk about human responsibility,” she said.

But the theme became increasingly relevant in 2021 due to the global COVID-19 pandemic. Bryant-Greenwell referenced scientists’ discussions on how the spread of COVID-19 is definitely manmade because humans have invaded habitats where these viruses thrive.

Maye said he can’t think of anything more relevant to the interplay between humans and nature than the virus.  “We don’t have that much power,” he said, “and it affected the show 100%.”

Truong used the pandemic-induced delay to make an entirely different sculpture from the one he had pitched to Bryant-Greenwell in 2019.

Click above for insight into the process behind Truong’s sculpture. (Arts in Foggy Bottom)

“After the pandemic and election, I had a whole different idea that is truer to my interests,” said Truong.

Truong’s sculpture on 25th St. consists of five transparent signs comprised of words from the American Pledge of Allegiance. “The thing about art is it sometimes struggles to deal with political issues, like the tensions that arose from the pandemic,” he said.

Garon’s sculpture “Lament” shows how women are more severely affected by environmental crises. (Courtesy of Stephanie Garon)

Bryant-Greenwell said the entire show became a response to the pandemic. “Look at the works, titles, and think differently about what it means.”

Artist Stephanie Garon’s sculpture of bundles of sticks reflects the burden of women’s roles given the environmental impact. Women are often the caregivers, so access to things like clean water are issues women must contend with, said Garon.

“Women and girls are most vulnerable in crises like these,” she said.

The community and the exhibit

Although the community could not gather for this year’s exhibition, residents were still willing to host sculptures.

Shirley and Scott Wayne (right) pictured with artist Jeff Chyatte (left) who created “Nebulous.” The couple fell in love with the piece and decided to make it a permanent feature of the neighborhood. (Courtesy of Peter Maye)

Residents were supportive of the show and very moved by it, Bryant-Greenwell said. One couple she spoke with shared that political action is very near to them, so they felt personally connected to the theme.

Sculpture hosts Shirley and Scott Wayne said the theme was more important than ever, and that the exhibition “is a part of the neighborhood.”

From the start, Maye said the creative team thought “Human Nature” was a great fit for what the world is experiencing.

“Giving back is part of being human,” said Maye. “We gave our community and all of Washington an opportunity to see art that is accessible to everyone.”

Megan Ruggles

Megan Ruggles

Megan Ruggles is a Washington, D.C. based journalist covering the Foggy Bottom and West End neighborhoods for The Wash. She is a graduate student at American University, where she is a Washington Post Practicum Student. She is focusing on investigative reporting.

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